TV Pilot Season

Found a new photographer!


We have a headshot winner. Three, actually, as one will be my main headshot, and I've had two different postcards created for other mailings, like thank-you notes and announcements that I've been cast in something.

Speaking of, I actually have a 'table read' for a TV pilot! Tonight! A couple of the writers from the writer's workshop (see previous entries) have merged talents and created a sit-com pilot. I have read the script and I think it's worthy of Network consideration. Not only because it's really good, but also to do SOMETHING to combat the "Reality TV" trend. I am SO sick of that crap.

Here's a question... is it really possible that Americans in general are SO obtuse that they cannot see the correlation between watching a television show that hog-ties "contestants" and forces them to eat sheep's eyeballs and roaches until they vomit and the whole Iraqi-prisoner torture scandal?

I mean, where do you THINK those soldiers got the idea to do those inhumane things in the first place? Over here in the States, we call it "Prime Time Entertainment." Yee-ha!

Don't get me started.
(Check out this appropriate webshop)

In the meantime, I'm still slogging along at the BDJ (Blasted Day Job). It's not a bad company, but I am discovering many trials and tribulations with working for a humongous corporation. The hierarchy is so convoluted that it's difficult to figure out whose job is what, and I constantly have to wait for one department or another to get their poop in a group before I can tackle a task of my own. Although in comparison to the Icky job (see menu above for that entry), I suppose I should be happy I'm here and not there. The people I deal with every day are pleasant and okay to work with. Nobody's screaming at each other, and it's nice to have a support system that helps when I get buried.

But today, I'm thinking about this pilot. There will be a full cast of nine or so actors, including me, and the two writers. It's the first read, and I'm looking forward to working with the other actors and learning about creating chemistry and relationships. The writers have told me that my character was actually written FOR me, which is not only terribly flattering, but it's also very validating. I AM a good actor, and there is no reason whatsoever for me not to be working as one full time.

So there.

Catch UP!

Christmas with Mom
I just re-read the entry from yesterday, and it occurred to me that I did not give Mom's visit the proper respect.

She came from my home town (a tiny place in Colorado that doesn't show up on a map) on December 23rd. I turned my office room in our house into a lovely little guest room. It has its own bathroom and shower, and it's quite pleasant.

I went to the airport to pick her up, and I was startled to see that not only was she the last person from the plane, but she was being wheeled out in a wheelchair. I was totally unprepared for that -- I knew she had been having some knee and hip issues, but...!

So we got into my car, and she confided in me, as she tossed her three-legged cane into the back seat, that the only reason they insisted on a wheelchair was because of the cane, and the cane was from a friend of hers that said that if an elderly lady travels alone, she should carry a cane, so they'll be sure and take REALLY good care of her. She was right -- she was the first person on the plane, never had to carry her own luggage... What she didn't tell me was that she really did need the cane, and she was in a great deal more pain than she was letting on.

I had taken two weeks off of my BDJ (that's "Blasted Day Job" for those of you who haven't read my previous entries), which kind of gave me a weird indication of what they thought of me, considering that I had not even been at the job for two weeks yet. I wanted to give Mom my undivided attention, and the boss had no problem with that. Big change from 'The Studio', and I'm still not used to being treated like a valued employee, yet.

Anyway, Mom stayed with us for two whole weeks, through Christmas and New Year's. We had a wonderful time.. we went to see multiple movies and went Christmas shopping; my culinary genius of a husband cooked an amazing Christmas dinner, and we went to one of our favorite places for New Year's Eve. We laughed and played cards. I took her to church. I wish she had stayed longer.

I finally got to see her knee.. it's about the size of a cantaloupe. My brothers and I are working on her daily now to convince her that she needs to have something done about it. Never mind that she's in her late 70's... she's still a vital, healthy woman, and will kick herself for not doing it sooner once it's all healed from surgery. I think we might be wearing her down -- we spoke on the phone today, and she said she was going to make an appointment to "have it looked at" before June.

Thank God. I don't ever want to see her in a wheelchair again.

Hi! I'm back!

Excuses, excuses...
Wow... sorry for the 6-month hiatus, there. I guess I have a lot of explaining to do.

After my last entry (December 5, 2003), a whole lot happened in a very short time. I got an audition call for a big voiceover project, and on the same day got a call from a lighting company I had contacted sometime back in July or August. So there were interviews. Again, both on the same day.

To make a long story short, on December 10, 2003, I was hired for BOTH jobs.

The voiceover job is STILL going on. I was hired to narrate a series of educational DVD's -- there are 6 disks in the series, totaling about nine hours of final, edited narration. The producer/director is an incredible person from Denmark who has not only written the entire series, but he's also CGI animated the WHOLE thing, all by himself, after spending about five years of his life amassing the necessary research and trial-and-error experience that was his impetus for making the series in the first place. He's also quite the perfectionist... my performance needs to be enthusiastic and engaging, but I have to watch out for sounding "teach-ey" or making it sound like I'm reading it (I AM reading it, but it can't sound like it).

This means that for every solid hour of edited narration, we're looking at about six to eight hours of recording time. Factor in the fact that as we go along (mind you, he wrote the whole thing himself and this is the first time he's heard a voice with the animation) he finds things to tweak and rewrite or rearrange, or even completely do over and re-animate.

It will probably be another two or three months before the project is completely finished. But I am getting the 'Baptism by Fire Crash Course in Taking Voiceover Direction'. And I'm getting pretty darned good at it, too.

But that's not all. I landed the other job, too. I am, again, a film, TV and special events lighting coordinator for a VERY large event lighting company. And we're busy. We light nearly all of the awards shows, like the Oscars, the Grammys, the People's Choice Awards and this year they happened all within about three weeks of each other. Plus we light the Olympics (a good portion of them, anyway), several Broadway shows, two major beauty pageants, a couple of late-night talk show sets... the list goes on.

So, I go to my "Blasted Day Job" (from here on referred to as the "BDJ") at the lighting company from 8 to 5:30 on weekdays. On Tuesdays, up until a few weeks ago, I was still going to the writers/actors workshop. That has since ended, which is another long story. I'll get into that at another time. BUT, on Wednesdays through Fridays, I go to the studio at 6:00pm to record until ten or eleven at night, and then all day on Saturdays.

Somewhere in there, Mom came for Christmas. It was wonderful.

The DVD sessions are now on a recording break so the director can re-write a few chapters, re-do a bunch of animation, and edit in everything we've done so far to see how well it flows. I'm still at the BDJ during the week, but I'm really pressing to get to the next level of the VO and acting career, and get an agent.

Which, of course, is another long story.